New Masters

 

Subliminal Projects Gallery (Los Angeles, CA) is presenting New Masters, a group exhibition of works on the classical figure by contemporary artists Mary Jane Ansell, Sean Cheetham, Ron English, Benjamin Bryce Kelley, Miles ‘Mac’ MacGregor, Ann Marshall, Stephen Wright, and Jonathan Yeo, on view May 7, through June 4, 2011.

Continue Reading →

http://www.youtube.com/watch?v=-dKcrCkbcDQ

Pink Procreation

Charlie White interprets the teenage female transformation of budding sexuality.

LOVE Backwards

“EVOL” is “LOVE” backwards, right? We’ve all heard this meme, but only a few of us have seen the street art created by the one who goes by EVOL. EVOL is a Berlin artist currently making work by pasting architectural photographs on banal urban surfaces. EVOL transforms electrical boxes, air conditioning units, planters, mailboxes and other geometric city forms into miniature buildings. EVOL often embellishes his structures with small characters peering out of the windows. EVOL’s work is now in different cities and he has been commissioned to do installations in galleries. EVOL has transformed entire blocks with miniature buildings and was featured in Berlin’s renowned ART magazine when it ran its first article on street art.

http://www.evoltaste.com/

About to forget

Shigeo Fukuda / Fukuda San (1932 – 2009)

In the video below, Shigeo Fukuda’s sculpture appears as an assembled mass of welded forks, knives, and spoons. Eventually, the shadowy form of the intended work unveils itself and leaves a glimpse of Fukuda’s concept.

      “…Traditionally, Japanese designers looked to the West for innovative solutions. This is no longer the case. The winds are shifting toward an easterly direction. Shigeo Fukuda, Japan’s Houdini of Design, is a welcome part of the shifting breeze. His visual originality and deep dedication to worthwhile causes help keep the sun shining brightly over our ever changing, complex world.” — excerpt from biography by

The Art Directors Club

    (c. 1987)
    Shigeo Fukuda was a sculptor, designer and optical illusionist. He was also the first Japanese designer inducted into the Art Directors Club Hall of Fame.
©Shigeo Fukuda

©Shigeo Fukuda

©Shigeo Fukuda

©Shigeo Fukuda

Victory 1945  ©Shigeo Fukuda

Victory 1945 ©Shigeo Fukuda

©Shigeo Fukuda

©Shigeo Fukuda

©Shigeo Fukuda

©Shigeo Fukuda

©Shigeo Fukuda

©Shigeo Fukuda

©Shigeo Fukuda

©Shigeo Fukuda

FromKeetra

FromKeetra (aka Keetra Dean Dixon) is a youthful, creative NYC designer and artist representing “the commercial” and “the pure.”

Continue Reading →

at the center

Ouroboros etching by Lucas Jennis

Ouroboros etching by Lucas Jennis

 

as he walks the earth

he sees things as they really are

infinitely reborn

like white dwarfs and red giants

dying stars show us

that we are not alone

we are the eternal return

salvation delivers the answer

destiny bears the key

he unlocks the secrets of perception

burning his eyes in the sun

as it sets

he writes words

lingering into the dusky nights

his paper soon finds ideas

enscribed upon it

he has learned how

to escape the impossibility

of immortality

– by Ian Evenstar

Patricia Piccinini

The experimental Australian artist, Patricia Piccinini creates a blend of science fiction and fine art giving us a look at a future (or alternate reality) with human and non-human cohabitation.

 

Evil Villains and Super Heros

Agan Harahap claims that he is a wildlife photographer. There is very little known about him beyond this. He also claims that he loves history, which is evident in his “Super Hero” collection.

Shigeo Fukuda

Shigeo Fukuda / Fukuda San (1932 – 2009)

In the video below, Shigeo Fukuda’s sculpture appears as an assembled mass of welded forks, knives, and spoons. Eventually, the shadowy form of the intended work unveils itself and leaves a glimpse of Fukuda’s concept.

      “…Traditionally, Japanese designers looked to the West for innovative solutions. This is no longer the case. The winds are shifting toward an easterly direction. Shigeo Fukuda, Japan’s Houdini of Design, is a welcome part of the shifting breeze. His visual originality and deep dedication to worthwhile causes help keep the sun shining brightly over our ever changing, complex world.” — excerpt from biography by

The Art Directors Club

    (c. 1987)
    Shigeo Fukuda was a sculptor, designer and optical illusionist. He was also the first Japanese designer inducted into the Art Directors Club Hall of Fame.
©Shigeo Fukuda

©Shigeo Fukuda

©Shigeo Fukuda

©Shigeo Fukuda

Victory 1945  ©Shigeo Fukuda

Victory 1945 ©Shigeo Fukuda

©Shigeo Fukuda

©Shigeo Fukuda

©Shigeo Fukuda

©Shigeo Fukuda

©Shigeo Fukuda

©Shigeo Fukuda

©Shigeo Fukuda

©Shigeo Fukuda

“I sell forms and colors for a living”

That’s what New York City based artist, designer and technologist, Joshua Davis says about himself on twitter. But he’s selling his bio a little short. Davis uses unprecedented techniques and creates work that is 100% original. Davis’ work is inconceivably intricate and unique. So much so, that a highly trained craftsman or programmer couldn’t re-engineer his designs no matter how hard they tried – Davis’ artwork is the digital equivalent of a snowflake.

In order to create work at this caliber, Davis pioneered an art making process known as “Dynamic Abstraction,” which generates artwork from Flash-based computer programs. Davis writes these computer programs based in Chaos Theory, which then execute random patterns of his hand drawn artwork. Davis calls this process, “Computational Design,” and he names his body of work “Tropism,” which is defined as the innate tendency of living organisms to move or grow without cognitive thought.

One of the biggest artistic influences for Davis is Jackson Pollock. Davis said, “I like Jackson Pollock. I don’t necessarily like his work, but I like Pollock as an idea.” The resonating idea is that Pollock’s paintings aren’t derived from a concept nor deliberate control of the paint or brush. Pollock (and Davis) initiate and “own” the finished work that they create, but the artists are only vehicles for the chance and movement that they cannot control.

“Tropism” at it’s best.

Following Pollock’s example, Davis loses control when he makes his art. In return, both artists make original, unrepeatable pieces. Davis’ computational design programs are randomized and unencumbered with very little restrictions, so the programs generate visual products of pure chance. Pollock’s fortuitous paintings are also produced by unplanned movements with limited controls such as the canvas frame, media, pigment color, and time duration.

When making artwork, Davis plays three roles – “the programmer, the designer, and the critic.” The critic, he says is the hard part because he’ll sometimes run a program 300-500 times before arriving at the result he wants. He mentioned running a program for 2 weeks before he saw the perfectly rendered design of his liking – a final result that “suspends chaos in a state of harmony… like waiting for that beautiful accident.”

Apple describes Davis as Infinitely Interesting and “abduzeedo’s blog” names him as a design legend. Follow Joshua Davis on

Twitter @joshuadavis or check him out on Flickr.

Mask of Greed

We all wear “masks” and beneath the surface there are alternate faces and personalities lurking.