Nick Gentry is part of a generation that grew up surrounded by obsolete media formats such as floppy disks, VHS tapes, polaroids and cassettes. Using these expired disk formats as the canvas for his portraits, Gentry helps the viewer identify with the consumable nature of culture, the recorded history of society and individuals, and at the very core, the impermanence of our identity.
August Bradley grew up in his mom’s photo studio, which started his studio photography training at a very young age. After countless hours in the dark room in high school and college, it’s inevitable that August makes such refined work as this. But only through the balance between his technique and conceptual skills does his photography stand apart.
I’ve always been inspired by my mom’s love of art and her endless pursuit to find work in the arts. After she found a job in New York as an art dealer for a small SoHo gallery, she took me to an art museum for the first time in my life. I was 10 years old and I didn’t realize it then, but the museum is one of the greatest in the world – the New York Museum of Modern Art. We spent hours that day roaming the cavernous halls of paintings, drawings and sculptures, but of all the work I saw, there was one artist that resonated with me deeply. Until this day, the images of this artist remain burned in the retina of my mind’s eye. This artist is the great Paul Klee.
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