Shigeo Fukuda / Fukuda San (1932 – 2009)
In the video below, Shigeo Fukuda’s sculpture appears as an assembled mass of welded forks, knives, and spoons. Eventually, the shadowy form of the intended work unveils itself and leaves a glimpse of Fukuda’s concept.
That’s what New York City based artist, designer and technologist, Joshua Davis says about himself on twitter. But he’s selling his bio a little short. Davis uses unprecedented techniques and creates work that is 100% original. Davis’ work is inconceivably intricate and unique. So much so, that a highly trained craftsman or programmer couldn’t re-engineer his designs no matter how hard they tried – Davis’ artwork is the digital equivalent of a snowflake.
In order to create work at this caliber, Davis pioneered an art making process known as “Dynamic Abstraction,” which generates artwork from Flash-based computer programs. Davis writes these computer programs based in Chaos Theory, which then execute random patterns of his hand drawn artwork. Davis calls this process, “Computational Design,” and he names his body of work “Tropism,” which is defined as the innate tendency of living organisms to move or grow without cognitive thought.
One of the biggest artistic influences for Davis is Jackson Pollock. Davis said, “I like Jackson Pollock. I don’t necessarily like his work, but I like Pollock as an idea.” The resonating idea is that Pollock’s paintings aren’t derived from a concept nor deliberate control of the paint or brush. Pollock (and Davis) initiate and “own” the finished work that they create, but the artists are only vehicles for the chance and movement that they cannot control.
“Tropism” at it’s best.
Following Pollock’s example, Davis loses control when he makes his art. In return, both artists make original, unrepeatable pieces. Davis’ computational design programs are randomized and unencumbered with very little restrictions, so the programs generate visual products of pure chance. Pollock’s fortuitous paintings are also produced by unplanned movements with limited controls such as the canvas frame, media, pigment color, and time duration.
When making artwork, Davis plays three roles – “the programmer, the designer, and the critic.” The critic, he says is the hard part because he’ll sometimes run a program 300-500 times before arriving at the result he wants. He mentioned running a program for 2 weeks before he saw the perfectly rendered design of his liking – a final result that “suspends chaos in a state of harmony… like waiting for that beautiful accident.”
This video serves up a tasty dish of semantics by English writer, journalist, comedian and actor, Stephen Fry. Although this work takes aim at pedants, they too will enjoy Fry’s savory prose. Rogers Creations animates Mr. Fry’s words through dynamic typography which gradually assembles into a single word.
I found Stephen Fry’s video from a blog post by the wildly talented DKNG. If you don’t know what good design is, take a look at DKNG (Dan Khulken / Nathan Goldman) for the paragon of leading design.
Sydney based artist, Brad Eastman, aka “Beastman” is one of Australia’s most widely recognized emerging artists. His distinct graphic aesthetic uses bold, saturated colors outlined with heavy black strokes. Beastman’s refined technique depict monstrous creatures reminiscent of a child’s imagination. Many of Beastman’s creatures stare back at the viewer with open eyes and razor-toothed mouths ready to devour.
For only $17, Photographers and Designers can implement a professional looking web portfolio to showcase their work. If you haven’t explored the “PHOTON” WordPress template, click here for a live preview.
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According to Mashable’s Dev & Design blog, the “5 Hot Design Trends for Aspiring Bloggers” are:
This list is part of a larger series that Mashable is developing called, “Web Design Trends Series – News and Reviews” which has a lot of quality information, tips and analysis.
For many years, designers and programmers were limited to using the standard fonts for web pages. But now with WOFF, aka “Web Open Font Format,” designers and programmers can use a wide array of customization and font design without the need of flattening custom text into an image. Below are some screenshots of websites that showcase the new possibilities of typography on the web. All the text you see is editable, transferable, searchable and unique. Yay!
Images and sites are courtesy of Lost World’s Fairs.
The trend to hybridize and “mashup” elements found within society is an inseparable characteristic of our postmodern world. Mashups occur in nearly every form of media including music, art, videos, books, advertising and news. The playful and sometimes unexpected derivatives of these mashups question the basic premise of intellectual property and have opened the proverbial “can of worms” when it comes to protecting copyrighted material. But before we get lost in the rabbit hole of ownership in today’s global market, let’s enjoy a few brand identity mashups from London design consultancy, johnson banks.